FoolishPeople's Warhol propaganda from 'Dead Language'
Graphics by Mark Butcher
In an artistic case of which came first- the chicken or the egg, artist Yason Banal is recruiting Andy Warhol lookalikes in an artwork that bares striking resemblance to the plot of
FoolishPeople's Dead Language, performed at the ICA in October 2007.
The look-alikes are being sought as part of his artwork 'Last Warhol Stand Inn' at the Tate Modern's 10th anniversary show on May 14-16. It will be his work's second installment, having being shown in Frieze Art Fair last year.
Hosted by the Tate Modern and organized by curators Maurizio Cattelan, Massimiliano Gioni and Cecilia Alemani, the independent festival will bring together some of the most exciting and experimental 'new art' from around the globe, displayed in an unconventional do-it-yourself style.
We have no idea if Yason Banal has seen or knew of 'Dead Language' or if the the narrative of 'Dead Language' is beginning to manifest, but what makes this even more interesting is the fact that the first version of 'Last Warhol Stand Inn' shown at Frieze Art Fair was part of Stephanie Syjuco's Copystand, who made replicas of the works of other artists at the fair, sold at a much cheaper price.
Dead Language imagines a Future where all forms of art are free, perfect replicas exist of every masterpiece ever created, copyright and ownership and meaningless, ideas are cheap and replicated ad infinitum. The only way for artists to protect their worth is by recruiting members of the public who are willing to lose their own identities to become a copy of the artist to spread Weaponised Art, forcing consumption upon a bloated society, sick from every idea, cheaply imagined and replicated.
The artist has become terrorist and soldier, surviving by raising the core flesh worth of their art. A rowdy gang of Tracey Emins wrestle half a dozen Andy Warhols to the ground. Platoons of replicas of Banksy raid the landscape, led by General Clone Banksy, a talentless nobody who once found a sample of Banksy DNA on an empty spray can.
The script of Dead Language is due to be released later this year.
Mr. Shine takes a red handkerchief from his pocket and holds it up, before dropping it to the floor. Warhol and Emin pull the lever and the curtain falls to reveal two cages that each hold about twenty people. In one cage replicas of Andy Warhol play with their hair, whilst taking photographs and trying to ignore the horrendous insults coming from the other cage. In the other, twenty Tracey Emin clones clutch the bars tearing at their clothes, showing the Warhols their tits and screaming they will never be man enough to fuck all twenty of her.
The doors open on the cages and the two tribes rush at each other. The Warhols are surprisingly nimble as they dart from the cage and run effeminately at the Emins. Effeminacy is irrelevant in Art War.
The Warhols are no match for the Emins, Tracey gouges eyes, tears testicles from between the loose and soft flesh of old thighs. The Emin's are imaginative and kill almost every Warhol standing in the most terrible manner, Genghis Khan went to Central St Martins. Pop Art’s first son is defeated. All that remains of his cult is one copy. He holds an Emin by the hair; dead and limp. The Emins close in around him.
Excerpt from 'Dead Language' written by John Harrigan
© John Harrigan All Rights Reserved 2007-2010
FoolishPeople's Warhols in Dead Language at the ICA
Photography by Brian Jones
Yason Banal's Warhol at the Copystand at Frieze Art Fair
Baby Banksy in Dead Language at the ICA
Photography by Brian Jones
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