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Melisa Auf De Maur played bass in hole for five years, she also supported The Smashing Pumkins on the final tour before they split.
I heard Auf De Maur's first single "Followed The Waves" on M2 yesterday and went straight out to buy the album (Couldnt get it, the album is not released until the first of March) I was that impressed.
Such an amazing song that I know that the Album has to be outstanding. Mark my words Auf De Maur is going to be huge.
A writer, possessed by a terrifying fiction hunts for the heart of his story in a pagan landscape, haunted by the infamous hum emitted by a Strange Factory.
Strange Factories is the first feature film produced by FoolishPeople.
Enter the Theatre and start your journey...
1957- Seascale, the North of England. Cirxus; an old English circus lost in the shadows of the smoke stacks of Calder Hall, the world's first commercial nuclear power station.
Athalia the ballerina waits in the ring for Loudon the clown to return with directions to the Black Pool, the mythic site of the Home Sweet Home, the final show of the season. Join her as she begins a bizarre and wondrous search for Loudon through the irradiated secrets of Cirxus, where she must face the macabre atomic menagerie, haunted by circus animals and navigate her way through the maze of strange, hallucinogenic sideshows to the other side of time.
Cirxus defies genre and form and offers a literary experience like no other. A combination of hallucinogenic novel and blueprint to a physical experience.
A rowdy gang of Tracey Emins wrestle half a dozen dazed Andy Warhols to the ground. IT IS THE FUTURE AND ALL FORMS OF ART ARE FREE. Perfect replicas exist of every masterpiece ever created, artworks and ideas are stolen from the mind before they’re even created.
Copyright or ownership is meaningless. FLESH-WORTH is all that matters. Arm yourself with weaponised art and explore the notions of open-source myth. What are intellectual rights worth in a decomposing culture?
Featuring full archival material from FoolishPeople’s performance run of Dead Language at the Institute of Contemporary Arts.
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